Edward G. Robinson is known primarily for playing gangster characters, but he also played several film noir leads during his career. His first film noir was the classic Double Indemnity in 1944. This began a period in which he starred in many of the best examples of this genre from that era. He played a private detective in The Hot Corner (1955), a jazz musician framed for murder and on the run from police in New Orleans in Killer^s Look - Up (1955). In 1956, he played an accountant who gets involved with an organized crime after embezzling money in The Last Frontier, and a ship captain trying to smuggle illegal aliens into the US and avoid being killed by the mob in Stormy Waters. These roles showcase Robinson’s abilities as an actor and his willingness to play against type.
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Double Indemnity (1944)
Robinson starred as Barton Keyes, a claims investigator for an insurance company. He has been assigned to track down Walter Huff, a man who has been making fraudulent claims and collecting on them. Huff is played by Fred MacMurray. The two meet and decide to partner to collect two million dollars on a bogus claim. They decide to kill the woman who owns the policy, her husband, and their son. As the two plot their crimes, they fall in love with each other and begin to feel guilty about the murders they are planning. They try to back out of their plan, but they are too deep in. The plot and the acting are excellent in this film, and Robinson’s performance is particularly noteworthy. His character is a weak man who feels trapped by his job. He is desperate to get out of his life and his relationship with his wife. Huff is a man who is not afraid to murder to get what he wants.
The Big Jump (1951)
Robinson played Alan Colby, a scientist who is a member of the scientific team sent to investigate the reason for the high percentage of deaths in the Himalayan Mountains. He is teamed up with Colonel John Patrick (Frederic March), the leader of the expedition, and Dr. Ingrid Bergman. The group finds that there is a scientist there named Barse (Adolfe Kurowski) who has built a machine that makes the air toxic and kills anything that breathes it. They also find a group of people who have been mutated by the atmosphere and are super strong. Colby and Bergman fall in love with each other, but Bergman ends up dying at the end of the movie. This film is an example of a science fiction film noir hybrid. The story is set in the present, but the scientific discoveries are futuristic. Robinson plays the role of the scientist with a calm, logical approach.
Mask of the Demon (1951)
Robinson played Professor Arnold, a scientist who has come to a small Italian town to investigate the death of a local scientist who died while working on a formula that turns organic matter into metal. The formula was stolen, and someone used it to kill the scientist who was sent to investigate. The formula created a blob-like creature that has been killing people in the town. Professor Arnold and his assistant track down the formula and are captured by a group of people who want to use it to make themselves immortal. Arnold manages to get free and can destroy the formula and the blob. This film is a classic example of the science fiction film noir hybrid. It includes elements of the horror film noir hybrid as well. Robinson played the calm, logical professor trying to make sense of the situation.
The Last Frontier (1956)
Robinson played Dr. Walter Shawn, an accountant who is hired to come to Alaska and help the chief financial officer of a mining company get the books balanced. Shawn finds that the company has been laundering money for a criminal organization based in San Francisco. Shawn is a married man who has been embezzling funds from the company he worked for in New York. When he gets to Alaska, he becomes increasingly worried that he will be found out. He ends up getting involved with the local police chief and falls in love with the chief’s daughter. Shawn is forced to deal with a criminal organization that has decided to kill him and the entire police department to cover up their activities. This film is a good example of a crime film noir hybrid. It combines the themes of crime and corruption with the dark atmosphere and cinematography of the film noir.
Find the Lady (1952)
Robinson played Lew Raymond, a private detective who is hired to find a woman who has stolen fifty thousand dollars. Raymond is hired by a man who has been told that the woman is his wife. He tells Raymond that he married her in Mexico and has been trying to find her ever since. He also tells him that she is blond. Raymond finds her and discovers that the woman is the wife of a criminal named Sloane who has been following Raymond and his client. The two decide to kidnap the woman to get the money from her husband. This film is a good example of a private detective film noir hybrid. These films were often similar to film noir, but they were generally lighter in tone. This film has many of the usual themes associated with noirs such as deception, betrayal, and greed.
A Bullet for a Stranger (1953)
Robinson played Mallory, a man who has been hired to kill a man named Jessup. Mallory and Jessup were once business partners who had a falling out. Jessup had Mallory framed for embezzlement and sent to jail. Mallory has been released and hired to kill Jessup. When he goes to do the job, he finds that Jessup is being blackmailed by a man named Thomas and his girlfriend Gloria. They have been holding Jessup’s daughter a hostage and demanding money. Mallory decides to help the man and the woman by killing the blackmailers and setting the situation straight. This is an example of the crime film noir hybrid. It has many of the elements associated with crime films, but it also has the dark, pessimistic tone of film noir.
Stormy Waters (1957)
Robinson played Captain Dan Brady, a ship captain who has been hired to take a group of illegal aliens from China to Mexico and then to the United States. To collect the money for the trip, Brady has to get the group across the Pacific Ocean and into the United States. A man named Driscoll (John Bromfield) has hired Brady, but he is working for a criminal organization that is trying to smuggle refugees into the United States. Brady has to figure out a way to get the refugees across the ocean without being found out. This film is a good example of the spy thriller film noir hybrid. It is an example of a genre that was becoming increasingly popular during the 1950s. It is a mixture of the themes of crime and espionage.
Summing up
Edward G. Robinson was known primarily for playing gangster characters, but he also played several film noir leads during his career. His first film noir was Double Indemnity in 1944, and this was followed by many other good examples of this genre from that era. Double Indemnity was one of the best examples of the genre from that period, and it is still popular today. Robinson starred in many different types of films, but he was most successful in film noir. They gave him the chance to show off his skills as an actor, and they helped him develop a following among many movie fans.